By Anna Mantzaris
Minutiae buffs of the worldthis is your publication! It’s filled with 1,001 tidbits of knowledge in such different types as meals & Drink, tv, paintings, enterprise, wellbeing and fitness, faith, and so on. for instance, do you know that each strawberry comprises over two hundred seeds? That the 1st prepared exertions strike within the U.S. happened in Philadelphia in 1786, whilst neighborhood printers demanded better wages? Or that Jack London used to be the 1st novelist to earn 1000000 cash from his writing? Highlighted with maps and illustrations, this compilation features a wealth of lists, together with the least densely populated nations, the academic associations of the Ivy League, bands that performed at Woodstock, or even the main tense clichés, as voted via humans in 70 international locations.
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Extra info for 1001 Things You Didn't Know You Wanted to Know
In her Chicago Daily Tribune review of the 1923 movie Has the World Gone Mad! Inez Cunningham summarized many sentiments of the day: The picture is another feeble blaat [sic] about that great institution, the modern woman. Blaming her for jazz, cabarets, cigarettes, facial operations, cosmetics, beautiful clothes, loving to keep her youth, neglecting her housework and similar crimes. Of course, I admit that jazz is a crime—but why blame it on the modern woman. If a woman invented it, it was long ago when the world was young.
Most likely, it was women’s increased visibility in theaters featuring jazz music that projected women as the root cause of the jazz problem. Harper’s Monthly replicates this idea in an editorial by Florence Guy Woolston in 1921: It is the fashion, nowadays, for men to issue pronunciamentos about us from their conventions. The businessmen pass resolutions about our ﬂimsy blouses, the musicians credit us with creating jazz, the automobile manufacturers deplore our reckless driving, the reformers regret that we cause so much divorce.
Cron, eleven at the time, remembers wondering if the two women actually ever saw each other (email from Cron, July 2007). Rather than surprise and inspiration, Cron expressed her complete horror upon recognizing the bizarre attention that j a z z c u l t u r e a n d a l l - g i r l f i l m s / 32 these female instrumentalists received (interview with Cron, 2001). Women performers and female audiences’ reactions to musical and theatrical “novelties” equally informed the often contradictory forums within which women gained images of female musicians during the 1920s—as illustrated by these two very different responses to female jazz of this period.
1001 Things You Didn't Know You Wanted to Know by Anna Mantzaris